THE BLUR IN THE BACKGROUND
June 30, 2013 Hunched over my fake booze, holding my fake cigarette, I waited for the call of action from director Nelson McCormick. The scene being shot would involve two Dallas patrolmen coming into Ruby's Carousel Club. There would be a short exchange. I gathered it was going to be something along the line of the two cops revealing that Oswald was going to be transferred later on that day. They would reveal the time and location thus setting up the scene in which Ruby walks directly up to Oswald and shoots him point blank range. Sounds like a quick shot. Right? Actually there would take after take, from a variety of angles. Cameras would be moved and lights would be adjusted. We, the extras, were removed and taken to a holding area. Then we were brought back in and then we were taken back to the holding area. For the last shot, the cameras were situated near Ruby and the two cops. Aside from the bartender Tony, I would be the only other actor on set. Me. The lone...